The
Source - "40 Watt Hype returns to deliver instrument-laden
sounds on its third studio album, Strong Feet on the Concrete.
Tracks like the rap-critical "Controversy" prove that
the group's MCs can rhyme."
Believe the Hype
by Quentin B. Huff
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here for full article
Pop Matters
Review - When you hear 40 Watt Hype¹s
Strong Feet on the Concrete, you might wonder, ³Is there
anything this band can¹t do?² You wouldn¹t be the
only one. The Fresno, California-based band has been praised as
one of the best unsigned acts in the United States. Meanwhile,
the band¹s frequent description as a cross between the Roots
and Santana could work as a snippet of 40 Watt Hype¹s musical
sophistication, songwriting skills, and strong live presence.
The praise is well-founded, as the group¹s
16-track release, Strong Feet on the Concrete, stomps forward
with grooves rooted in hip-hop, R&B, funk, Latin vibes, and
jazz. You¹ll want to see 40 Watt Hype perform this material
in person, as the Roots and other hip-hop artists have demonstrated
that concert rap can be compelling when backed up by live instrumentation.
The membership roster for Strong Feet includes Brian Robinson
(a.k.a. MC Vagabond), Aaron Wall (a.k.a. MC Awall), Enrique Gonzalas
on guitar, Sean Alderette rocking the drums, Bronson Garza working
the bass, Jared Dyar on percussion, Adan Infante on trombone,
and David Hull playing the keys. In 2002, the group released the
flavorful Advanced Techniques in Modern Sound. A year later, they
followed up with Grand Unification Theory, which was followed
in 2005 by the CD/DVD package Live & Direct: Sight & Sound.
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here for full article
Complex Magazine-“Hip-hop
neophytes 40 Watt Hype have the underground buzzing. These
hip-hop true school disciples are know for slamming, high energy
shows!”
Esquire Magazine-
“40 Watt Hype is an eight piece Latin-jazz group that has
no trouble packing every gig.”
CD Baby - "Hip
hop: Bass? Check, Drums? Check, Trombone? Dropping
rhymes with a live band can be a soft spot for some fans, who
feel the true form should rely on drum machines and the ones and
twos. Recently this feeling seems to be shifting and it's groups
like this that are leading the way. Kicking the bass and drums
hard but also utilizing rhythmic guitar, jazzed out keys, slip
slappy congas and the afore mentioned trombone, these cats lay
down a patchwork any MC would love to put his moniker on. So,
its not surprising the vocals here are on point with the music,
riding catchy hooks and then splitting verses that are inherently
synchronized with the feel of the rhythm section. The recording
and production here are dead on as well, creating the vibe of
a live show where every hand in the place is in the air."
Blender Magazine-
“One of the Top 8 Unsigned Acts in the Country.”
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IQ magazine in Albuquerque, NM
- "The type of hip hop that 40 Watt Hype plays could
only come from the state of California...."
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article
Newspaper in Flagstaff, AZ - "Imagine
a compilation album featuring the talents of Santana, Black
Eyed Peas and the Roots..."
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article
Now
available at:
Amoeba,
Sam
Goody, Wherehouse,
Best Buy, FYE,
Amazon.com,
Cactus Records and Dimple Records
____________________
Stream
sample mp3s and buy full mp3s

from the album
"Strong Feet on the Concrete"
Bathtub
Music “I’ve seen these guys twice live, once
was when they were opening for the Roots at the Leavey Center,
where the crowd was cheering for them as loudly as for the Roots.
Needless to say they are INCREDIBLE. Their music blends
amazingly: Think the lovechild of the Roots and Santana.
I’ve paid twice the money for CDs that weren’t half
this good. Buy it. You won’t regret it.”
The Reverend,
Music Director at Mondosphere’s KFRR “40 Watt Hype
delivers catchy hooks on top of infectious, hypnotizing beats…a
fresh, original sound.”
Joe Moore,
Station Manager KFSR College Radio “…One of
the most creative and exciting groups we’ve heard.. their
Latin rhythms are as infectious as they are authentic….”
N.L. Belardes,
Chicano writer “….White meets Black meets Chicano
meets ‘unity’ in a multi-cultural abnd with rural-urban
street talk, songwriting, and production that would make Ricky
Ricardo turn in his grave and wish his big Cuban Buena Vista
social hour was hip to this scene.”
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