| 40
Watt Hype
P.O. Box 17128
Fresno, Calif. 93744
(559) 824-0824
info@40watthype.com
Booking:
Darin
Piccolo
Spike Productions, LLC
PO Box 58221
Salt Lake City, Utah
84158-0221
800-475-9564 toll free
801-524-0878 direct
801-415-9623 fax
info@spikemusic.net
Radio:
Adam Lewis
The Planetary Group
617-275-7665 phone
617-275-7661 fax
adam@planetarygroup.com
The
Planetary Group
580 Harrison Ave. 4th Floor
Boston, MA 02118
PR/Tour
Press:
Vicki Siolos
617-275-7660 phone
617-451-0888 fax
vicki@planetarygroup.com
The
Planetary Group
580 Harrison Ave. 4th Floor
Boston, MA 02118

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Hi-Res Photo
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"One Page"
Press
kit
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40 Watt Hype's EPK
40
Watt Hype is:
Awall, vocals,
percussion
Vagabond, vocals
Enrique Gonzales, guitar
Bronson Garza, bass
Sean Alderette, drums
Jared Dyar, percussion
Adan Infante, trombone
40 Watt Hype is a neo hip-hop band that combines elements of Latin,
Soul and R&B creating a new, fresh and commanding sound with
tremendous crossover success. For more information, visit www.40watthype.com.
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IQ Albuquerque NM Music
Preview
November 2007
The type of hip hop that 40 Watt Hype plays
could only come from the state of California. Sure, people will
compare them to The Roots, which is justifiable, but it’s
mostly because the band, which includes Brian Robinson (Vagabond),
Jared Dyar (percussion), Adan Infante (trombone), Sean Alderette
(drums), Aaron Wall (MC AWALL) Enrique Gonzales (guitar) and
Bronson Garza (bass), performs with live instruments. Others
will point to their Latin leanings and bring up less applicable
and predictable comparisons to Santana and still others will
mention how 40 Watt hype sounds similar to the Black Eyed Peas
in terms of kinetic energy both on stage and on record. The
truth is, 40 Watt Hype sound exactly like themselves, which
always seems to be a problem when it comes to hip-hop; not so
much for fans of the genre, but for the recording industry,
radio and critics like myself who need to come up with new words
to describe fresh new music.
As they boast in song, “we are true players
but we don’t play, the same way that you play.”
Still an unsigned act (but likely not for long), the group outwardly
criticizes the inner workings of the music industry in song
and (annoyingly) in skit, but to do it with such unforced flair
and stately fashion that the music is less about the words and
more about the groove.
Instrumentally, the groups is stacked to the
gills with enough horn, key, percussion and rhythmic armor to
spontaneously start a New Orleans street party. But whats’
apperant in listening to tracks from the group’s latest
recording Strong Feet on the Concrete, they are simply a well
rehearsed group that happens to know the secret to onstage success:
restraint. Never coming off as ostentatious, the group still
manages to flip the wigs of many listeners.
Along with that, they stay down to Earth in
an over-hyped genre that floats like a million dead fish- as
evidence in lyrics like “In this Animated world, spinnin’
in its axis, life death and taxes/we wll wanna know the answers
to questions under the sun/but all we really need to know is
one”. Their message oozes positivity and unity, and their
relaxed sound matches that message in beats, but not to the
point of an Arrested Development. In other words don’t
start singing Kumbaya just yet.
There’s been many hip-hop group’s
such as this in the past and there will likely be many more,
but the Billboard charts never seem to find room for them until
they approach Fugees status.
Unfortunate, but for those that like to keep
their favorite bands a secret, they now have 40 Watt Hype to
add to that list.
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